The show offers a live-action look at the Japanese manga Kakegurui, which exposes a world of high-stakes gambling and power dynamics. Let’s have a look at what this live adaptation brings to the table and how well it has adapted elements from the original manga. Gambling is a way of life at St. Dominic’s, and the Student Council are the top winners at the school, led by council president Kira (Clara Alexandrova). They make the rules of the games played.
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Born in Nigeria and raised in East London, the 22-year-old British-Nigerian actor now carries the weight of two cultures with ease and uses them as strengths m.youtube.com+9youtube.com+9aestetica.net+9. At USTA Advocates, we are proud to combine experience, expertise, and resources to achieve exceptional results for our clients. With a proven track record as a trusted advisor, we have played a pivotal role in groundbreaking transactions and resolved complex legal questions, shaping Uganda’s legal landscape.
From an upcoming role in an A24 psychological thriller to the high-stakes return of Bet, Ayo Solanke’s future projects don’t follow a straight trajectory. They zigzag between prestige and pop, art-house and streaming spectacle. This chapter looks ahead, not with PR spin, but with a critical eye on what these choices say about where he’s headed—and who he refuses to become.
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That instinct now shows up everywhere from his sax solos to his slow-burn monologues on screen. Bold & Beautiful shows beauty, intelligence, lifestyles, successes, achievements, and remarkable feats that characterize Nigerians and Africans. Ayo hasn’t parked his ambition at acting. He’s developing a short film, Island, and aiming to direct and write his own stories.
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There’s a temptation to romanticize this phase as formative, but Solanke resists the narrative. His acting wasn’t “inspired” by his roots so much as complicated by them. Nigeria wasn’t a springboard—it was a baseline. Ayo Solanke is carving a spot in film and TV by refusing to blend in.
And his filmography reads like an actor deliberately swerving past the typecasting conveyor belt. From indie horror bloodbaths to militarized shootouts and a moody short film with a philosophical backbone, Ayo Solanke’s upcoming movies and recent releases prove he’s not here to be cute on camera—he’s here to test his ceiling. This chapter dissects three key projects that show exactly how far that ceiling might go. If Netflix’s Bet sounds like a fever dream filtered through a poker table and a manga panel, that’s because it pretty much is.
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Ayo Solanke doesn’t just survive this high-stakes teen chaos—he detonates expectations from his very first scene. While the series itself splits audiences faster than a bluff gone wrong, Solanke’s character, Ryan Adebayo, is a wildcard worth watching. His performance doesn’t just anchor a slippery narrative—it elevates it. This chapter dissects how Ayo Solanke turned a supporting role into a slow-burn scene-stealer, all while the roulette wheel of Bet keeps spinning. According to Ayo Solanke in a behind-the-scenes featurette, Ryan was intentionally designed as “the one kid who didn’t want to play, but had to.” That tension between survival and complicity is where the performance lives. Solanke discusses how he pushed for less exposition and more ambiguity—fewer speeches, more loaded glances.
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Just a visual puzzle with enough thematic weight to demand more than one watch. Solanke’s dip into horror didn’t come with the glossy prestige of a Sundance darling or the PR sheen of a studio reboot. Instead, he picked roles that could’ve easily sunk under cliché—and decided to mess with them from the inside. The ensemble cast of Bet reads like an anime convention after three Red Bulls, but Solanke’s chemistry with Miku Martineau’s Yumeko is grounded, tense, and human. He’s said in interviews that their dynamic was “built off eye contact more than script cues,” and that tracks.
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The students gamble with the stipends their parents give them; anyone who falls into the red, “below the line” becomes a “housepet” to the person they owe money to. Having said all this the character drama is still very much present. These are fairly outlandish ideas to transplant into the more relatable real-world setting that the live-action treatment creates, which is probably the show’s biggest problem. It’s odd and can be a little jarring. It’s a show that takes some fairly big swings and not all of it works, but I mostly loved it and I suspect most people who aren’t worried about the accuracy of the costumes will too.
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And, hopefully, more scenes where Ryan doesn’t just react but reshapes the game. At 13, the Solankes moved again—this time to Canada, the land of maple syrup, healthcare, and the kind of arts programs that actually fund school theatre productions. It was here that Ayo Solanke’s transition from theatre to screen acting began, and not in the way most expect. There’s no mysticism in Solanke’s Lagos Nigeria chapter—just ordinary life. His earliest years, as he’s mentioned in interviews, were filled with extended family, unpredictable power cuts, and the occasional bootleg DVD of a Nollywood horror movie that left a permanent mark on his imagination.
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He’s not dabbling—he’s building something that could easily stand on its own. Netflix’s new hit series BET, a live-action adaptation inspired by the manga Kakegurui, has taken audiences by storm — and one of the standout characters is Ryan, portrayed by rising star Ayo Solanke. I recently caught up with Ayo for Pop Culture Unplugged, where we talked about the show’s global success, stepping into a beloved fandom, and why Ryan’s evolution is resonating with viewers around the world.
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- He’s not the comedic relief, the tragic martyr, or the guy with secret trauma.
- There’s no mythology to mine here—just a kid who moved countries, swapped accents, absorbed cultures, and didn’t flinch.
- The manga is famous worldwide due to its intense characters and unpredictable plot twists, thus being ripe for live-action adaptation.
- The supporting cast do their jobs, too.
- Ayo Solanke’s horror movie roles are rarely written to win awards, but he uses that freedom to inject a kind of specificity that’s usually lost in scream-heavy screen time.
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Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko. While Ryan is inspired by Ryota Suzui from the Kakegurui manga, Ayo made a conscious effort to build a version of the character that stood on its own. Interestingly, Ayo didn’t even know what he was auditioning for at first. Like many of his castmates, his audition script used a placeholder name — "Harry" instead of Ryan — to conceal the true identity of the project.
And yet, Solanke gives him spine, nuance, and just enough moral discomfort to keep things interesting. Ayo says he’s heard from viewers who felt Ryan brought a more emotional and meaningful presence to the world of BET than they had seen in the source material. Laura Afelskie is a Canadian actress who plays Runa in the live-action manga adaptation. No, what annoys us about Bet is that it’s so busy being stylish that it forgets about the fact that there is a story that needs to be told.
The reception of the show has shown that when it comes to adaptations, the balance between creative reinterpretation and respecting the culture of the original material becomes very important. Set in St. Dominic's Boarding School for Girls, where gambling dictates the social hierarchy. Yumeko Kawamoto, portrayed by Miku Martineau, is a transfer student who shakes up the established order as she takes on the student council in high-stakes gambles. Netflix's newest teen drama, Bet, has entered the Top 10 charts in 32 countries in just one week.
Lista de actores y personajes de “Apuesta”: quién es quién en el live action de “Kakegurui” de Netflix
We are also dedicated to facilitating Uganda's legal and economic growth by providing strategic guidance to businesses and organizations across diverse industries. What else has Ryan Sutherland been in? Sutherland previously starred in Four Singles, a film about four men coping with loneliness, loss of love and social isolation. Ryan Sutherland is an actor known for playing Suki in Bet. What else has Aviva Mongillo been in? She is best known for her role as Alya Kendrick in the drama series Backstage and Juniper in Workin' Moms.
She is an actress, entertainer, performer, and artist, who is best known for her role as Morgan in the television series A Million Little Things. Fans will recognise Eva from psychological thriller, The Bad Orphan, in which she played Rhiannon. Read on for the https://ayobet.id/ full cast list, including where you've seen the stars before – from Star Trek to Workin' Moms.
On Ayo Solanke’s Twitter, things get even less polished—and better for it. He occasionally posts character notes, often shares observations about scripts he’s reading, and rarely misses the chance to poke fun at his own industry. His tweets rarely break the internet, which is precisely the point. In an era where actors outsource their personality to PR firms, Ayo Solanke’s social media engagement with fans is refreshingly DIY. Ayo Solanke could’ve easily coasted on the buzz from Bet. But Solanke isn’t playing for comfort—he’s playing for range.
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The 10 part thriller stars Miku Martineau, Ayo Solanke, and Eve Edwards. Analytics Insight is an award-winning tech news publication that delivers in-depth insights into the major technology trends that impact the markets. The content produced on this website is for educational purposes only and does not constitute investment advice or recommendation. Always conduct your own research or check with certified experts before investing, and be prepared for potential losses. Opinions expressed herein are those of the authors and not necessarily those of Analytics Insight, or any of its affiliates, officers or directors.
- If Netflix’s Bet sounds like a fever dream filtered through a poker table and a manga panel, that’s because it pretty much is.
- Solanke’s performance in Clown in a Cornfield isn’t about reinventing the slasher wheel—it’s about knowing exactly when to subvert and when to commit.
- Jonathon has remained involved in all aspects of the site’s operation, mainly dedicated to its content output, remaining one of its primary Entertainment writers while also functioning as our dedicated Commissioning Editor.
- Laura Afelskie is a Canadian actress who plays Runa in the live-action manga adaptation.
- It has managed to stay in the top 10 in 32 countries, despite hardly any marketing efforts.
- According to Ayo Solanke in a behind-the-scenes featurette, Ryan was intentionally designed as “the one kid who didn’t want to play, but had to.” That tension between survival and complicity is where the performance lives.
- Has performed live, unrehearsed, and off-book.
Miku Martineau as Yumeko
- Ryan begins the series as a believer in the school’s ruthless hierarchy, but that loyalty fades fast — especially when he finds himself aligning with Yumiko.
- In an era when representation matters more than ever, he’s not just navigating identity, he’s defining it, scene by scene.
- Still, he’s hopeful for more BET — and judging by the show’s performance, there’s a good chance he’ll get that call.
- Immensely promoted for their quantizing visuals and slick cinematography, Bet was conceptualized by Simon Barry-the same mind who also gave us Warrior Nun.
- It was later adapted in 2017 by the legendary studio MAPPA with a follow-up series arriving two years later.
Yumeko immediately challenges Mary to a match; the game chosen is “Skirmish,” where each player plays one of their seven cards, and the high card in that round wins. Yumeko notices that Mary is cheating, and only wants to play fair. But, as we see in flashbacks to her childhood in Japan, winning money isn’t the only reason why she’s at St. Dominic’s; she wants revenge. Ayo Solanke stops by to chat about his breakout role as Ryan in the hit Netflix series BET. Ayo shares how his life has changed since the show hit the global Top 10, what it was like stepping into a complex character, and how fans have connected with Ryan’s emotional journey. Ten episodes seems like a lot, arguably too many, but they’re all under 40 minutes and breeze by with so much going on, especially since the outcome of the games keeps upending the social dynamics and raising the stakes.
If you’re looking for something to confirm or deny how much Simon Barry’s ten-part series adheres to the source material or butchers it beyond all repair, sorry – you’re not going to find it here. It’s easy to categorize actors-turned-directors as restless or ambitious. In Solanke’s case, it reads more like necessity.
